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Album Release/Publication:
ABLAZE RECORDS - WIND ORCHESTRA MASTERS DISC SERIES
No Opposite for Wind Ensemble will be released by Ablaze Records Wind Ensemble, WIND ORCHESTRA MASTERS disc series. ABLAZE records represent today's living composers across a range of media: chamber, orchestral, electronic, choral, and ensemble music. No Opposite reflects the composer's insight that nothing in the world is as polarized as we think.
MUSLAB - CERO RECORDS
rare yet soft, a part of What is not lost for Animated song cycle has been published at the AFTER phonographic co-production by MUSLAB and Cero Records. This project represents a milestone in contemporary electroacoustic music and is exhibited internationally as part of the MUSLAB exclusive series with artists from 42 countries.
NOVA RECORDS - KOREAN SOUNDSCAPE
Breathe Life II for piano solo is published in Eun-Hee Park’s Korean Soundscapes: Contemporary Piano Solo, Navona Records, 2025, which will be released on March 7, 2025. You can see the preview of the Album Page here. The album presents a veritable cross-section of Korea’s living composers, but also of Korean culture at large, particularly its balancing act between established tradition and hyper-advanced modernity. Vignettes of urban life intermingle with folk songs, Western compositional techniques with age-old Korean melodies, and traditional dances with barely tonal meditations. A fascinating peek behind the cultural curtain, enlivened further by Park’s immaculate pianism.
Viajero Inmóvil Experimental
Photogene, for the electronics, is included in the “Viajero Inmóvil Experimental” label in the edition of the winning works of the Destellos Contest, “Viajero inmóvil Experimental.”
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Commissions:
(be)yond was commissioned by Grossman Ensemble for 13 instruments and will be performed on March 6, 2026, at the Logan Center Performance Hall in Chicago, conducted by David Bloom. The piece depicts that when we are free from concepts and deeply established in "being," we can transcend our limitations and confined conditions. The title, (be)yond, implies our true nature is not only "being" but also its power to go beyond.
RICE University's “Sound of Light II” grant - Kyong Mee Choi received a commission to create a new installation piece, Weaving for James Turrells Twilight Epiphany Skyspace through Rice University's “Sound of Light II” grant. Utilizing 14 channel audio system with light changes Weaving portrays the image of water in an open sky. Along with the water sounds, the piece incorporates the 4th movement of Tchaikovsky's Symphony Number 6, also known as the Pathétique Symphony, in which the composer found appropriate musical ideas to increase the gesture of openness. Weaving through the symphony's melodic line and water's vivid sonic presence, the piece gradually attempts to expand its nature to an infinite space. The premiere is scheduled to be in 2025.
University of Illinois at Urbana-Champaign's Research Board grant - Kyong Mee Choi received a commission to write a piece for violin and piano by Salley Koo with the Research Board Grant of the University of Illinois at Urbana-Champaign. The unreal never lived for violin and piano, written for Salley Koo, will be premiered in 2025.
Not(h)ing for solo piano was commissioned by and written for pianist Kuang-Hao Huang who premiered in February 2025. The title "Not(h)ing" indicates noting nothingness, which implies "nothingness" governs everything before all concepts that the mind creates through consciousness.
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Guest Artist/Prsentation:
Kyong Mee Choi is invited to present her work at the University of Chicago in February 2026, and Northwestern University in December 2025, and RICE University on September 25, 2025.
Kyong Mee Choi was one of the featured guest artists for the SPLICE SUMMER FESTIVAL 2024 at Western Michigan University from June 23-29,2024. She gave a presentation about her music and compositional method. Three of her compositions were presented at the festival. Du for piano and electronis, for piano and electronics, Slight Uncertainty is Very Attractive for flute and electronics, and too bright to see for baritone saxophone and electronics, which was also presented at the New York City Electronic Music Festival (NYCEMF) at the Loreto Theater at the Sheen Center in New York on June 20, 2024.
Kyong Mee Choi was also a featured guest composer at the The Eastman School of Music. Choi presented her music, Train of Thoughts, rare yet soft, and To Unformed on March 7, 2024, at Hatch Recital Hall along with music by Pierre Schaeffer, Francis Dhomont, Kaija Saariaho, and others.
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Recent Pieces composed:
A Guide to the Moon (2026) for mezzo-soprano and piano (5’)
(be)yond (2025) for large ensemble (Grossman Ensemble)
Stainless Still (2025) for alto saxophone, electric guitar, piano, electric bass, drum (8’)
Night at Unjusa (2025) for mandolin and guitar (8’30”)
More works click here.
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