*All music is registered at ASCAP (American Society of Composers, Authors, and

  Publishers).


  1. *Please email me if you are interested in commissioning or getting the score and

   sound. You can listen to the excerpt of each work.


SOLO

•   Unleashed (2018) for solo piano (9’05”)

  Breathe Life I (2012) for solo piano (2’30”)

  Breathe Life II (2014) for solo piano (2’30”)

  Flowerlips (2006) for vibraphone solo (7’26”)

  For Eliptical Space (1997) for piano solo (1’57”)

  Reminiscences (1996) for piano solo (12’)


TWO PIANOS (two hands/four hands)

  Water Bloom (2012) for two pianos and eight hands (10’06”)

•   In Void (2012) for two pianos and four hands (15’)

•   The mind that moves (2011) for two pianos and eight hands (11’16”)


CHAMBER

  Adiós a lo conocido (2018) for clarinet, saxophone, bassoon, violin, piano, percussion (12’)

  Ji Chŏn Myŏng (2017) for flute, clarinet, violin, cello, piano, and percussion (8’30”)

  MOMENT (2017) for haegum, flute, clarinet, trombone, piano, and percussion (8’10”)

  Orpheus with his lute (2017) for mezzo-soprano and piano (4’30”)

  Im Nebel (2017) for baritone and large ensemble (11’30”)

  what prevails (2016) for clarinet, violin, piano (9’15”)

  ever-present (2016) for wind quintet (7’15”)

  Breathe Life III (2014) for baritone and piano (4’56”)

  Rippled Pond (2013) for piano trio (10’7”)

  REFORM (2012) for flute and percussion (7’14”)

  For those who left us (2012) for guitar and piano (9’)

  MIRO (2012) for flute, clarinet, violin, cello and piano (9’10”)

  Resilience (2012) for two female voices and harp (7’23”)

   In a Picture of Freedom (2011) for voice, flute, clarinet, piano, percussion, violin, cello (9’30”)

  Uncarved Water (2010) for oboe, violin, viola, cello and percussion (7’21”)

  TRACK (2008) for flute, clarinet, piano, violin, cello, and percussion (10’22”)

  Gestural Trajectory (2004) for two pianos and percussion (16’41”)

  Reflective Layers (1999) for violin, viola, cello, double bass, trumpet and trombone  (6’40”)

  Tangram (1998) for cello duo (11’20”)


ELECTRONIC ALONE

  Train of Thoughts (2017) for two-channel electronic fixed medium (6’47”)

  rare yet soft (2016) for for two-channel electronic fixed medium (7’11”)

  In the midst of (2015) for two-channel electronic fixed medium (3’)

  Tensile Strength (2008) for two-channel electronic fixed medium (co-commissioned)  (6’)

•   Photogene (2005) for two-channel electronic fixed medium (7’)

  Tranquility (2005) for two-channel electronic fixed medium (7’)

  Rumi-Rings of Being (2003) for two-channel electronic fixed medium (7’45”)

  Onomatopoetic Mimesis (2002) for two-channel electronic fixed medium (7’10”)

  Conceptual View of Worlds II (2001) for two-channel electronic fixed medium (7’20”)


LAPTOP ENSEMBLE

•  OM (2009) for laptop ensemble (6’30”)


SOLO/DUO with ELECTRONICS

  Pendulum (2018) for oboe, English horn and electronics (8’55”)

•   In Flux (2014) for Janggu and electronics

  Freed (2014) for bass flute and electronics (7’40”)

  Dawn and Dusk (2012) for two pianos, four hands and electronics (13’30”)

  Ceaseless Cease (2009) for clarinet and electronics (7’)

  To Unformed (2009) for piano and electronics (8’)

•   Inner Space (2009) for cello and electronics (7’10”)

  The line we can’t cross (2008) for alto saxophone and electronics (7’10”)

  It only needs to be seen (2007) for guitar and electronics (7’5”)

  Slight Uncertainty is Very Attractive (2006) for flute and electronics (7’15”)

  Sublimation (2004) for marimba and electronics (7’)


CHAMBER with ELECTRONICS

  Tender Spirit I (2013) for flute, clarinet, violin, cello, piano, percussion, and electronics (9’24”)

  The words of Tagore (2012) for voice, piano, narrator, and electronics (9’20”)

  TAO (2002) for voice, piano and live electronics (12’30”)


PERCUSSION ENSEMBLE

  A New Earth (2014) For percussion ensemble and electronics (13’13”)


WIND ENSEMBLE

  No Opposite (2015) For Wind Ensemble (15’)


ORCHESTRA/LARGE ENSEMBLE

  Water Bloom II (2016) for orchestra (10’)

  Infinite Gaze (2015) for large ensemble (16’20”)

  Open Arms (2013) for orchestra and electronics (11’27”)


OPERA

  THE ETERNAL TAO (2010) –One Act Multimedia Production

     (1 hour and 45 minutes)


VIDEO/INTERACTIVE/MULTIMEDIA

  Tender Spirit II (2013) for video (9’28”)

  GAIN (2007) for DVD

  Condolence (2003) for DVD (7’40”)

  Kandinsky (2000) for voices, electric guitar, percussions, dancers and video

     projection (15’40”)

  Intuitive Abyss (1999) for voice, flute, cello, electric guitar, percussions, and video

     projection (12’51”)