*All music is registered at ASCAP (American Society of Composers, Authors, and
Publishers).
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*Please email me if you are interested in commissioning or getting the score and
sound. You can listen to the excerpt of each work.
SOLO
• Unleashed (2018) for solo piano (9’05”)
• Breathe Life I (2012) for solo piano (2’30”)
• Breathe Life II (2014) for solo piano (2’30”)
• Flowerlips (2006) for vibraphone solo (7’26”)
• For Eliptical Space (1997) for piano solo (1’57”)
• Reminiscences (1996) for piano solo (12’)
TWO PIANOS (two hands/four hands)
• Water Bloom (2012) for two pianos and eight hands (10’06”)
• In Void (2012) for two pianos and four hands (15’)
• The mind that moves (2011) for two pianos and eight hands (11’16”)
CHAMBER
• Adiós a lo conocido (2018) for clarinet, saxophone, bassoon, violin, piano, percussion (12’)
• Ji Chŏn Myŏng (2017) for flute, clarinet, violin, cello, piano, and percussion (8’30”)
• MOMENT (2017) for haegum, flute, clarinet, trombone, piano, and percussion (8’10”)
• Orpheus with his lute (2017) for mezzo-soprano and piano (4’30”)
• Im Nebel (2017) for baritone and large ensemble (11’30”)
• what prevails (2016) for clarinet, violin, piano (9’15”)
• ever-present (2016) for wind quintet (7’15”)
• Breathe Life III (2014) for baritone and piano (4’56”)
• Rippled Pond (2013) for piano trio (10’7”)
• REFORM (2012) for flute and percussion (7’14”)
• For those who left us (2012) for guitar and piano (9’)
• MIRO (2012) for flute, clarinet, violin, cello and piano (9’10”)
• Resilience (2012) for two female voices and harp (7’23”)
• In a Picture of Freedom (2011) for voice, flute, clarinet, piano, percussion, violin, cello (9’30”)
• Uncarved Water (2010) for oboe, violin, viola, cello and percussion (7’21”)
• TRACK (2008) for flute, clarinet, piano, violin, cello, and percussion (10’22”)
• Gestural Trajectory (2004) for two pianos and percussion (16’41”)
• Reflective Layers (1999) for violin, viola, cello, double bass, trumpet and trombone (6’40”)
• Tangram (1998) for cello duo (11’20”)
ELECTRONIC ALONE
• Train of Thoughts (2017) for two-channel electronic fixed medium (6’47”)
• rare yet soft (2016) for for two-channel electronic fixed medium (7’11”)
• In the midst of (2015) for two-channel electronic fixed medium (3’)
• Tensile Strength (2008) for two-channel electronic fixed medium (co-commissioned) (6’)
• Photogene (2005) for two-channel electronic fixed medium (7’)
• Tranquility (2005) for two-channel electronic fixed medium (7’)
• Rumi-Rings of Being (2003) for two-channel electronic fixed medium (7’45”)
• Onomatopoetic Mimesis (2002) for two-channel electronic fixed medium (7’10”)
• Conceptual View of Worlds II (2001) for two-channel electronic fixed medium (7’20”)
LAPTOP ENSEMBLE
• OM (2009) for laptop ensemble (6’30”)
SOLO/DUO with ELECTRONICS
• Pendulum (2018) for oboe, English horn and electronics (8’55”)
• In Flux (2014) for Janggu and electronics
• Freed (2014) for bass flute and electronics (7’40”)
• Dawn and Dusk (2012) for two pianos, four hands and electronics (13’30”)
• Ceaseless Cease (2009) for clarinet and electronics (7’)
• To Unformed (2009) for piano and electronics (8’)
• Inner Space (2009) for cello and electronics (7’10”)
• The line we can’t cross (2008) for alto saxophone and electronics (7’10”)
• It only needs to be seen (2007) for guitar and electronics (7’5”)
• Slight Uncertainty is Very Attractive (2006) for flute and electronics (7’15”)
• Sublimation (2004) for marimba and electronics (7’)
CHAMBER with ELECTRONICS
• Tender Spirit I (2013) for flute, clarinet, violin, cello, piano, percussion, and electronics (9’24”)
• The words of Tagore (2012) for voice, piano, narrator, and electronics (9’20”)
• TAO (2002) for voice, piano and live electronics (12’30”)
PERCUSSION ENSEMBLE
• A New Earth (2014) For percussion ensemble and electronics (13’13”)
WIND ENSEMBLE
• No Opposite (2015) For Wind Ensemble (15’)
ORCHESTRA/LARGE ENSEMBLE
• Water Bloom II (2016) for orchestra (10’)
• Infinite Gaze (2015) for large ensemble (16’20”)
• Open Arms (2013) for orchestra and electronics (11’27”)
OPERA
• THE ETERNAL TAO (2010) –One Act Multimedia Production
(1 hour and 45 minutes)
VIDEO/INTERACTIVE/MULTIMEDIA
• Tender Spirit II (2013) for video (9’28”)
• GAIN (2007) for DVD
• Condolence (2003) for DVD (7’40”)
• Kandinsky (2000) for voices, electric guitar, percussions, dancers and video
projection (15’40”)
• Intuitive Abyss (1999) for voice, flute, cello, electric guitar, percussions, and video
projection (12’51”)